I had to let go of my desire for Din Djarin's face. I had to accept the convention and trust that the story would unfold. As the tale engrossed me, I cared less and less about seeing Mando's face. Pedro Pascal's performance and command over his voice and body are exceptional. It did not matter if I could see his face because I felt everything I needed to feel. It was almost like watching a spirit "possess" an inanimate object, one without eyes, mouth, or any discernible features, and bring to life a character.